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Author and Editor: “Internet Archive brings some measure of order and permanence to knowledge”

8 juli 2022 - 6:20pm

On July 8, 2022, author and editor Tom Scocca spoke at a press conference about the copyright lawsuit brought against the Internet Archive by four commercial publishers. Tom is an editor at The Brick House, the proprietor of Indignity, and the former politics editor at Slate. He is the author of Beijing Welcomes You: Unveiling the Capital City of the Future. These are his remarks:

To be a writer in the 21st century is to be caught between two conflicting concerns: the fear that one’s work will be stolen, and the fear that one’s work will be lost. These are the individual and personal expressions of the larger facts of our living amid an unprecedented availability of information, and of the unprecedented unavailability of that same information. Our knowledge and our work are caught up in rapid, unpredictable cycles of creation, dissemination, and destruction; just as I was sitting down to write these thoughts, I discovered a year’s worth of my own writing had been suddenly blocked from being read on the internet by an expired certificate.

But I could still find it on the Internet Archive. In the all-consuming tide of entropy, the Internet Archive brings some measure of order and permanence to knowledge. Out past the normal circulating lifespan of a piece of writing—or past the lifespan of entire publications—the Archive preserves and maintains it. It’s surprisingly hard, logistically and conceptually, to remember what 2008 was like, let alone 1998, but miraculously, the evidence still exists. If it’s not quite like achieving immortality, it’s at least like no longer being buried in an unmarked mass grave.

This is the work that libraries have always done. Deep in the stacks, you can physically take a book off a shelf that no one else has checked out in 20 years. You could semi-physically, or semi-virtually, flip through a long-gone newspaper with a spin of a microfiche reel. One of my greatest thrills, when I became an author, was hearing from someone that their ordinary public library in some ordinary city had a copy of my book—a thrill quite different from the regular good news of knowing that some person had spent money to put a copy on their home bookshelf. In the library, my book could be read by anyone.

I was happy, then, to participate in the Open Library project, by putting my own work into an anthology to be published for digital lending. I understand—at a deep level, the level on which I wonder how I will pay the mortgage and what I will eat in my old age—how alarming the Open Library can sound to a writer. I feel that alarm: the sense that our already precariously remunerated work might be distributed for no money at all, that the greedy and impersonal culture of torrenting and piracy might be coming for us, too.

But practically, the idea is the idea of the library book. A single copy—bought and paid for—shared with one person at a time, and then returned to the shelf. The distribution may be virtual and seemingly unreal, but it behaves like a solid item. It behaves more like a solid item, in fact, than many provisionally available movies or texts on the consumer market, which act as your personal property for only as long as the underlying licensing agreement between the rights-holder and the seller lasts. That sort of dissolving culture isn’t a renewable revenue source, it’s a path to scarcity and amnesia.

The post Author and Editor: “Internet Archive brings some measure of order and permanence to knowledge” appeared first on Internet Archive Blogs.

EFF Legal Director: “Copyright law does not stand in the way of a library’s right to lend its books”

8 juli 2022 - 6:20pm

On July 8, 2022, Corynne McSherry, legal director at the Electronic Frontier Foundation, spoke at a press conference about the copyright lawsuit brought against the Internet Archive by four commercial publishers. These are her remarks:

The Internet Archive, headquartered in San Francisco, is a 501(c)(3) non-profit library dedicated to preserving and sharing knowledge. Through Controlled Digital Lending (“CDL”), the Internet Archive and other nonprofit libraries make and lend out digital scans of print books in their collections, subject to strict technical controls.  Each book loaned via CDL has already been bought and paid for, so authors and publishers have already been fully compensated for those books.

Publishers Hachette, HarperCollins, Wiley, and Penguin Random House sued the Archive in 2020, claiming that CDL violates their copyrights, costs them millions of dollars, and threatens their businesses. They are wrong: Libraries have paid publishers billions of dollars for the books in their print collections, and are investing enormous resources in digitization in order to preserve those texts. CDL merely helps libraries take the next step by ensuring the public can make full use of books that libraries already have bought and paid for. CDL is fundamentally the same as traditional library lending and poses no harm to authors or the publishing industry. 

Yesterday, we filed a brief asking a federal judge to put a stop to these publishers’ efforts to limit access to library books. Our motion for summary judgment, filed in the U.S. District Court for the Southern District of New York, explains that the Archive’s CDL program is not copyright infringement but a lawful fair use that preserves traditional library lending in the digital world.  Among other things, we explain how the Archive is advancing the purposes of copyright law by furthering public access to knowledge and facilitating the creation of new creative and scholarly works.  And Internet Archive’s digital lending hasn’t cost the publishers one penny in revenues. In fact, the concrete evidence shows that the Archive’s digital lending does not and will not harm the market for books.

The publishers are not seeking protection from harm to their existing rights,. They are seeking a new right foreign to American copyright law: the right to control how libraries may lend the books they own.   

They should not succeed. The Internet Archive and the hundreds of libraries and archives that support it are not pirates or thieves. They are librarians, striving to serve their patrons online just as they have done for centuries in the brick-and-mortar world.  Copyright law does not stand in the way of a library’s right to lend its books to its patrons, one at a time. 

Briefing on these issues will continue over the next few months, and we hope to have a decision from the court sometime next year.

The post EFF Legal Director: “Copyright law does not stand in the way of a library’s right to lend its books” appeared first on Internet Archive Blogs.

Internet Archive Founder: “We are defending the rights of libraries to serve our patrons where they are, online”

8 juli 2022 - 6:20pm

On July 8, 2022, Brewster Kahle, founder and digital librarian of the Internet Archive, spoke at a press conference about the copyright lawsuit brought against the Internet Archive by four commercial publishers. These are his remarks:

The Internet Archive is a non-profit library. And we do what libraries have always done.

What libraries do is we buy, preserve and lend books to one reader at a time. Why do we do it?  Libraries are a pillar of our democracy. We are a great equalizer, providing access to information for all. We also have an age-old role as custodians of culture, preserving knowledge for future generations. 

This is what the Internet Archive is doing along-side hundreds of other libraries.  We have been lending scanned digital copies of print books for more than 10 years, and it has helped millions of digital learners.  

With this lawsuit, the publishers are saying that in digital form, we cannot buy books, we cannot preserve books, and we cannot lend books.

This lawsuit is not just an attack on the Internet Archive—it is an attack on all libraries. The publishers want to criminalize libraries’ owning, lending and preserving books in digital form. 

Should we stop libraries from owning and lending books? No. We need libraries to be independent and strong, now more than ever, in a time of misinformation and challenges to democracy.

That’s why we are defending the rights of libraries to serve our patrons where they are, online.

The post Internet Archive Founder: “We are defending the rights of libraries to serve our patrons where they are, online” appeared first on Internet Archive Blogs.

Decentralized Apps, the Metaverse, and the “Next Big Thing”

5 juli 2022 - 2:00pm

In the fifth session of “Imagining a Better Online World: Exploring the Decentralized Web” – a joint series of events with Internet Archive, METRO Library Council, and Library Futures – “Decentralized Apps, the Metaverse, and the ‘Next Big Thing,’” Internet Archive Director of Partnerships Wendy Hanamura took a deep dive into the metaverse and NFTs through an exploration of virtual worlds with pioneering metaverse developer Jin.

Watch session:

In this engaging session, Hanamura and Jin explored the technologies that would transform the future and the world as we know it within Web 3.0: the immersive spaces and built communities of the metaverse. As indicated by participants, to some, NFT and metaverse means “cyberspace on steroids,” or “Second Life,” while for others it holds a more negative connotation. From the “read-only” Web 1.0 to the forthcoming “read-write-trust verifiable” future of Web 3.0, the evolution of the web is leading to an enhancement of reality to create new and augmented realities.

An NFT, or an entry on a blockchain, can be anything from a document to even a virtual representation of a physical space like the Internet Archive. Jin, for example, is able to create a complete virtual desktop where their entire life and memory lives in 3D, and where they conducted the virtual reality interview with Hanamura. From hacker spaces to raves to the virtual representation of the Internet Archive they built as a central space to conduct their work, Jin’s life is mediated and defined through their virtual world building.

What makes Jin’s world unique is their commitment to building with other people in the open source community in an “interesting, collaborative, co-creation.”

Within these worlds, one of the key provisions is interoperability: the ability to carry these worlds between each other. For Jin, this is still a work in progress, with new modes of interoperability still being built. In addition, privacy is a major concern – Web 3.0 provides a new form of privacy through avatars and other obscuring technology, but Jin cautions that due diligence is still warranted, just like in the real world.

The conversation ended with a discussion of the democratizing aspects of NFT creation and independent artists. As an artist, Jin’s first NFT earned him more money than he ever had previously in his career. One of the most exciting aspects of this kind of creation is the way it removes the middle person from the art market: rather than creating for museums or other art markets, Jin is able to reach their audience directly.

Jin ended the session on a positive note: “In virtual reality, you have a lot more bandwidth for empathy. There’s a lot of nuance that is lost in text-based communication platforms. It’s more asynchronous. The sense of presence, of being there with other people, you experience a lot of genuine and good connections… there’s a lot of genuine appreciation of art. That gives me hope.”

The post Decentralized Apps, the Metaverse, and the “Next Big Thing” appeared first on Internet Archive Blogs.

Building a Better Internet: Internet Archive Convenes DC Workshop

1 juli 2022 - 9:15pm
Photo of workshop participants, by Caralee Adams

Thought leaders from libraries, academia, and civil society gathered at Georgetown Law Center in Washington, D.C., on June 23 to discuss how to best advance policies that improve the ease, affordability and equity in how people access knowledge in the digital age.

Convened by the Internet Archive, this workshop was designed as a continuation of a conversation that the public interest community, including Internet Archive, Creative Commons, Public Knowledge, Library Futures, and the Wikimedia Foundation, started last summer around building a better internet centered on public interest values.

While U.S. lawmakers’ focus on internet policy has largely been directed at reigning in the “Big Tech” commercial platforms, this workshop took a different approach. Rather than centering the challenges with today’s for-profit, commercial platforms, the workshop centered the barriers libraries face and potential opportunities for them to help solve challenges with our digital information ecosystem.

Our hope as organizers was that we could map the terrain, find common ground, and identify areas for further discussion. And even in a short amount of time, we were able to do that in spades. Here are a few of our key learnings, and what’s next.

Key Opportunities

Participants recognized that libraries could fill an important gap in the current online environment, as they have done for hundreds of years offline–indeed, providing free access to high quality, trusted information is libraries’ primary mission. As our information ecosystem becomes increasingly digital, the world often looks to libraries to do even more. For instance, scholar Joan Donovan has suggested that platform companies hire 10,000 librarians to help curate their services and support access to quality information. Others have suggested libraries could be doing fact checking, building and hosting social media networks, and more. One important way to combat misinformation is with better information provided by libraries; however, this is not without its challenges.

Key Barriers

Participants identified two significant barriers for full library participation in the digital information ecosystem as media consolidation and copyright overreach by powerful publishers. The group discussed a wide range of possible solutions to these challenges including antitrust scrutiny, contract preemption, supporting a robust public domain, controlled digital lending, and digital ownership.


The group was motivated by a desire to serve the public over commercial interests, and expressed their commitment to making sure equity was woven through all proposals in a thoughtful and authentic manner. Libraries support access to information and creative empowerment for all. We understand that a better internet must work for everyone, including underserved and vulnerable populations.

As the organizers of this event, we are very grateful to all the participants for contributing their time and expertise to this effort. Up next, we will hold virtual workshops to include additional members of the community in these discussions followed by the publication of a longer report with our findings and policy recommendations. Stay tuned for future updates as this effort moves forward.


The post Building a Better Internet: Internet Archive Convenes DC Workshop appeared first on Internet Archive Blogs.

July Book Talk: The Library: A Fragile History

27 juni 2022 - 2:00pm

“A comprehensive and fascinating deep dive into the evolution of libraries… Bibliophiles should consider this a must-read.”—Publishers Weekly

Perfect for book lovers, this is a fascinating exploration of the history of libraries and the people who built them, from the ancient world to the digital age.

Join historian Abby Smith Rumsey for a book talk & conversation with Andrew Pettegree and Arthur der Weduwen, authors of The Library: A Fragile History.

REGISTER NOW

Many have decried the perilous state of the library in the 21st century, a situation that was made only worse when public libraries across the world were forced to shut their doors in the face of a global pandemic. But across centuries of existence, libraries have faced ruin from war, fire, neglect, and dispersal—only to be reborn again.

In The Library, historians Andrew Pettegree and Arthur der Weduwen trace the extraordinary history of the institution, from the famed collections of the ancient world to the modern public resource of today. Along the way, they encounter the librarians, historians, readers, supporters and antagonists that have shaped the library and its offerings over centuries. Do libraries last? Register for our book talk to find out from the authors.

July Book Talk: The Library: A Fragile History
Historian Abby Smith Rumsey in conversation with authors Andrew Pettegree and Arthur der Weduwen.
July 20 @ 9am PT
Register now for this virtual event

ABOUT THE SPEAKERS:

Abby Smith Rumsey is a writer and historian focusing on the creation, preservation, and use of the cultural record in all media. She writes and lectures widely on analog and digital preservation, online scholarship, the nature of evidence, the changing roles of libraries and archives, and the impact of new information technologies on perceptions of history, time, and identity. She is the author of When We Are No More: How Digital Memory is Shaping our Future (2016).

Andrew Pettegree is Professor of Modern History at St Andrews University, where he directs the Universal Short Title Catalogue, a database of information about all books published before 1650. A leading expert on the history of book and media transformations, Pettegree is the award-winning author of several books on the subject. He lives in Scotland. 

Arthur der Weduwen is a historian and postdoctoral fellow at St. Andrews, where he serves as an associate editor of the Universal Short Title Catalogue. This is his fifth book. He lives in Scotland.

The post July Book Talk: The Library: A Fragile History appeared first on Internet Archive Blogs.

Save our Safe Harbor, continued: Internet Archive Supports Libraries and Nonprofits in Submission to the Copyright Office

13 juni 2022 - 5:43pm

As many of our readers will know, Section 512 the Digital Millennium Copyright Act is the 1998 law that established the notice-and-takedown system that protects online platforms of all kinds—including, libraries, archives, and other nonprofits—from liability for the copyright infringement of others. While the law is not perfect, the safe harbor provided by the DMCA has been important in allowing libraries, nonprofits, and other smaller participants to harness the power of the internet and play a meaningful role in the online information ecosystem. More broadly, as our friends at the Wikimedia Foundation have noted, “Section 512 is crucial to the functioning of many of the most popular and important segments of the Internet, and the creative expression that happens there.”

Unfortunately, Section 512 has been under attack for some time. In addition to various legislative proposals, the United States Copyright Office has repeatedly been asked to conduct work on Section 512 that could threaten the safe harbor status of libraries and nonprofits and the communities of their patrons and users. In 2016, for instance, Internet Archive submitted comments to the Copyright Office’s first large Section 512 study, as outlined in a blog post entitled “Save our Safe Harbor“—there, we noted the special importance of the DMCA to “libraries and other nonprofit organizations” which rely in substantial part on volunteer communities and which “are unlikely to be able to bring to bear the sorts of resources [available to] larger commercial entities.” Then again in 2020, as the Copyright Office kept working towards Section 512 reform, the Internet Archive (in collaboration with the New York University Technology Law & Policy Clinic) urged the Copyright Office to consider how changes to the DMCA could have “disproportionately negative impacts on public service non–profits such as the Internet Archive and our patrons.”

This year, the Copyright Office is continuing with ever more work streams on DMCA reform. And while the conversation remains dominated by the commercial interests of some of the world’s largest corporations, Internet Archive has again submitted comments seeking to correct this imbalance. Most recently, in a May 27, 2022 comment on the Copyright Office’s study of Section 512(i) Standard Technical Measures, we emphasized that—notwithstanding industry attempts to use Section 512(i) to impose burdensome technical mandates which could threaten all but the largest commercial intermediaries—nothing in the law “admits of a standard technical measure which would impose substantial burdens and costs on libraries [and] non-profits.”

The DMCA Safe Harbors, while imperfect, have been essential to the ability of libraries, nonprofits, and others to develop public-interest-minded spaces online. And while much has changed since the DMCA’s enactment, it is as important as ever that our legal and regulatory systems allow library and other public interest spaces to flourish online.

The post Save our Safe Harbor, continued: Internet Archive Supports Libraries and Nonprofits in Submission to the Copyright Office appeared first on Internet Archive Blogs.

June Book Talk: The Catalogue of Shipwrecked Books

10 juni 2022 - 2:01pm

“Wilson-Lee’s pioneering study makes Hernando’s life every bit as compelling as his father’s. But that is not all: as we accompany Hernando on his various European journeys of compulsive acquisition, we are not only led through a richly evoked early modern world, but also prompted to reflect on our own data-saturated age.” —The Times Literary Supplement

The Internet Archive invites you to join us on June 28 at 10am Pacific for a book talk with Edward Wilson-Lee, author of The Catalogue of Shipwrecked Books: Christopher Columbus, His Son, and the Quest to Build the World’s Greatest Library, followed by a conversation with Brewster Kahle, founder of the Internet Archive.

REGISTER NOW

In The Catalogue of Shipwrecked Books, Edward Wilson-Lee tells the compelling story of Hernando Colón, who sailed with his father Christopher Columbus on his final voyage to the New World, a journey that ended in disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library that would collect everything ever printed: a vast holding organized by summaries and catalogues, the first database for the exploding diversity of written matter as the printing press proliferated across Europe.

Hernando held the groundbreaking conviction that a library of universal knowledge should include “all books, in all languages and on all subjects,” even material often dismissed: ballads, erotica, news pamphlets, almanacs, popular images, romances, fables. The loss of part of his collection to another maritime disaster in 1522, set off the final scramble to complete this sublime project, a race against time to realize a vision of near-impossible perfection.

Book Talk: The Catalogue of Shipwrecked Books
Author Edward Wilson-Lee in conversation with Internet Archive’s Brewster Kahle.
June 28 @ 10am PT
Register now for this virtual event

Edward Wilson-Lee is a Fellow in at Sidney Sussex College, University of Cambridge, and a specialist in the literature and the history of the book in the early modern period. He is the author of The Catalogue of Shipwrecked Books, Shakespeare in Swahililand and Translation and the Book Trade in Early Modern Europe.

The post June Book Talk: The Catalogue of Shipwrecked Books appeared first on Internet Archive Blogs.

GITCOIN Grants: Donate a Few Tokens, Defend a Public Treasure

8 juni 2022 - 10:48pm

CALLING ALL COMMUNITY MEMBERS:

In just a few months, the lawsuit Hachette v. Internet Archive will be heard in court. In 2020, four of the world’s largest publishers sued our non-profit library to stop us from digitizing books and lending them for free to the public. The publishers and the corporations who own them, including News Corp and Bertelsmann, are demanding $20 million in damages and that we destroy 1.4 million digitized books. What’s really at stake? The right of all libraries to own, digitize and lend books of any kind. (Here’s what Harvard’s copyright advisor has to say about the consequences of our case.) Starting today, make a small donation through Gitcoin and have an enormous impact for the defense of Internet Archive, through Gitcoin’s quadratic funding.

Today, Gitcoin Grant Round 14 opens, supporting advocacy groups around the world. When you donate even $1 worth of crypto to the Internet Archive, it can result in $3-400+ from the matching pool. Quadratic funding rewards the number of community members who give, along with the amount. So many small donations can really have an enormous impact.

This is an example of the matching funds allotted in a previous Gitcoin Grant round.

HOW TO DONATE:

  1. First you’ll need to create or log in your Github account. 
  2. Use that account to authorize in to Gitcoin.  
  3. Choose one or both of our gitcoin grants here:
  1. You’ll need a crypto wallet like Metamask or Rainbow Wallet with some Ethereum or other tokens.
  2. Select how much you want to donate. (For example: .003 ETH = about $5.00 US)
  3. Do you want to also add some money to the matching pool? Be sure to set an amount in that field as well.
  4. Hit the “I’m Ready to Checkout” button.
  5. In the drop down menu, pick Standard Checkout, Polygon, or zkSync.
  6. Connect and log in to your crypto wallet to pay.
  7. BONUS: You can verify your identity by creating a Gitcoin Passport via Ceramic to maximize the matching funds (up to 150%).
  8. The more people who give, the greater the percentage of the matching pool we receive.
Checkout module for the Gitcoin Grant 14 Advocacy Round.

Thank you for taking these steps to unleash huge support for the Internet Archive, helping us pay the millions of dollars in legal fees we have already incurred. Your support helps ensure the Wayback Machine, Open Library, and all our games, concerts, books and films will be available to you for free for a very long time.

The post GITCOIN Grants: Donate a Few Tokens, Defend a Public Treasure appeared first on Internet Archive Blogs.

We Can Rebuild It: Using the Internet Archive to Discover Original Order

7 juni 2022 - 5:00pm

Guest post by: Amanda Hill, Archivist of the Community Archives of Belleville and Hastings County, a member of the Community Webs program and a contributor to the Internet Archive.

One of the things archivists get excited about is the importance of ‘original order’. This is the idea that the arrangement of records by their creator has significance to our understanding of the records themselves. Wherever possible, archivists will try to determine the original order of materials in their care.

An item received at the Community Archives of Belleville and Hastings County in 2015 presented something of a puzzle in this respect. It was a scrapbook from the First World War, of newspaper clippings and other memorabilia which had been pasted into a printed book. The binding of the book had partially come apart and the early pages of the scrapbook had been jumbled into no particular order, with clippings dated 1917 mixed in with those from 1916.

Examination of the scrapbook revealed that its owner was Alice Deacon, born in Belleville, Ontario, on September 27th, 1899. She was the child of Daniel Deacon and his wife, Catherine Dugan. During the First World War, the Deacons were living at 107 Station Street, Belleville. They were Roman Catholics and Alice was probably a student at St. Michael’s Academy on Church Street.

Alice had three older brothers: James, Frederick and Francis (Frank). Frank joined the Canadian Expeditionary Force on March 23rd, 1916 in Belleville and it may have been this event which triggered Alice’s interest in the war. Frank’s service record is available from Library and Archives Canada.

The scrapbook mainly comprises cuttings from The Daily Intelligencer newspaper during the war, where Alice carefully recorded references to Belleville boys overseas, sometimes annotating the clippings with her own observations about whether a man had returned from the front, or which school he had attended.

Alongside the newspaper extracts are other more personal items, such as postcards, theatre programs, calling cards, invitations and ticket stubs. This page illustrates some of the variety:

Here we find an invitation, two pressed flowers “from ruins of a French village, May 1917” and a picture “off a box of chocolates Jim gave me for my birthday, 1916.”

Alice did not begin with blank pages: she used a copy of Richardson’s New Method for the Piano-Forte, originally published in 1859 by Nathan Richardson. In between Alice’s pastings, we can see parts of the text of the underlying book. Some of the pages still had visible page numbers, although most did not, but the majority had at least some legible words and phrases. This was the key to re-creating Alice’s original order.

We discovered that the Richardson book had been digitized by the University of North Carolina at Chapel Hill and was available online through the Internet Archive.

This digital copy proved essential in discovering the original order of the scrapbook. Using the Internet Archive’s searching facility, we were able to locate the identifiable words and match them to the page numbers of the original book. Once all the pages were identified, it was a simple matter to put them back into the order they would have been in when the book was intact.

Alice’s brother Frank came home safely from the war and was demobilized on May 23rd, 1919. Alice worked as a stenographer and bookkeeper in Belleville until 1929, when she married Leo Houlihan in St. Michael’s Church. She then left Belleville to live with Leo in Lindsay, Ontario. She died in 1955 and was buried in the Our Lady of Mercy Roman Catholic cemetery in Sarnia, Ontario.

Her scrapbook arrived back in Belleville by mail, sixty years after Alice’s death. Thanks are due to the anonymous donor for sharing this glimpse into a young woman’s wartime life, and also to our colleagues at the University of North Carolina and the Internet Archive for making it possible to reconstruct the scrapbook as it was when Alice first created it.

We have mainly been sharing our newspaper collection at the Internet Archive, but once it was digitized, we felt compelled to share Alice’s scrapbook there, too! 

The post We Can Rebuild It: Using the Internet Archive to Discover Original Order appeared first on Internet Archive Blogs.

A New Approach To Understanding War Through Television News: Introducing The TV News Visual Explorer & The Belarusian, Russian & Ukrainian TV News Archive

3 juni 2022 - 12:12am

For more than 20 years, the Internet Archive’s Television News Archive has monitored television news, preserving more than 9.5 million broadcasts totaling more than 6.6 million hours from across the world, with a continuous archive spanning the past decade. Today just a small sliver of that archive is accessible to journalists and scholars due to the inaccessibility of video at this scale: fast forwarding through that much television news is simply beyond the ability of any human to make sense of. The small fraction of programs that contain closed captioning, speech recognition transcripts or OCR’d onscreen text can be keyword searched through the TV Explorer and TV AI Explorer, but for the majority of this global multi-decade archive, there has until now been no way for researchers to assess and understand the narratives of television news at scale, especially the visual landscape that distinguishes television from other forms of media and which is so central to understanding many of the world’s biggest stories from war to pandemics to the economy.

As the TV News Archive enters its third decade, it is increasingly exploring the ways in which it can preserve the domestic and international response to global events as it did with 9/11 two decades ago. As a first step towards this vision, over the last few months the Archive has preserved more than 46,000 broadcasts from domestic Belarusian, Russian and Ukrainian television news channels, including (in the order they were added to the Archive) Russia Today (part of the Archive since July 2010 but included in this collection starting January 1), Russian channels 1TV, NTV and Russia 1 (from March 26) and Russia 24 (from April 25), Ukrainian channel Espreso (from April 25) and Belarusian channel Belarus 24 (from May 16).

Why preserve television news coverage in a time of war? For journalists today it makes it possible to digest and report on how the war is being framed and narrated, with an eye towards how these narratives influence and shape popular support for the conflict and its potential future trajectory. For future generations of scholars, it makes it possible to look back at the contemporary information environment and prevailing public information, perspectives, and narratives.

While there are myriad options for the general public to watch these channels today in realtime, there is no research-oriented archival interface designed for journalists and scholars to understand their coverage at the scale of days to months, to scan for key visuals and events and to comment, discuss and illustrate how nations are portraying major stories.

To address this critical need, today we are tremendously excited to unveil the Television News Visual Explorer, a collaboration of the GDELT Project, the Internet Archive’s Television News Archive and the Media-Data Research Consortium to explore new approaches to enabling rapid exploration and understanding of the visual landscape of television news.

The Visual Explorer converts each broadcast into a grid of thumbnails, one every 4 seconds, displayed in a grid six frames wide and scrolling horizontally through the entire program, making it possible to skim an hour-long broadcast in a matter of seconds. Clicking on any thumbnail plays a brief 30 second clip of the broadcast at that point, making it trivial to rapidly triage a broadcast for key moments. The underlying thumbnails can even be downloaded as a ZIP file to enable non-consumptive computational analysis, from OCR to augmented search.

Machines today can catalog the basic objects and activities they see in video and generate transcripts of their spoken and written words, but the ability to contextualize and understand the meaning of all that coverage remains a uniquely human capability. No person could watch the entirety of the Archive’s 6.6 million hours of broadcasts, yet even just the 46,000 broadcasts in this new collection would be difficult for a single researcher to watch or even fast forward through in their entirety. Television’s linear format means coverage has historically been consumed a single moment at a time like a flashlight in a darkened warehouse. In contrast, this new interface makes it possible to see an entire broadcast all at once in a single display, making television news “skimmable” for the first time.

The Visual Explorer and this new research collection of Belarusian, Russian and Ukrainian television news coverage represent early glimpses into a new initiative reimagining how memory institutions like the Archive can make their vast television news archives more accessible to scholars, journalists and informed citizens. Beneath the simple and intuitive interface lies an immensely complex and highly experimental set of workflows prototyping both an entirely new scholarly and journalistic interface to television news and entirely new approaches to rapidly archiving international television coverage of global events.

Over the coming weeks, additional channels from the TV News Archive will become available through the new Visual Explorer, as well as a variety of experiments with the new lenses that tools like automatic transcription and translation can offer in helping journalists and scholars make sense of such vast realtime archives.

Get Started With The Television News Visual Explorer!

About Kalev Leetaru

For more than 25 years, GDELT’s creator, Dr. Kalev H. Leetaru, has been studying the web and building systems to interact with and understand the way it is reshaping our global society. One of Foreign Policy Magazine’s Top 100 Global Thinkers of 2013, his work has been featured in the presses of over 100 nations and fundamentally changed how we think about information at scale and how the “big data” revolution is changing our ability to understand our global collective consciousness.

The post A New Approach To Understanding War Through Television News: Introducing The TV News Visual Explorer & The Belarusian, Russian & Ukrainian TV News Archive appeared first on Internet Archive Blogs.

New additions to the Internet Archive for May 2022

1 juni 2022 - 5:00pm

Many items are added to the Internet Archive’s collections every month, by us and by our patrons. Here’s a round up of some of the new media you might want to check out. Logging in might be required to borrow certain items. 

Notable new collections from our patrons:  Books – 52,300 New items in May

This month we’ve added books on varied subjects in more than 20 languages. Click through to explore, but here are a few interesting items to start with:

100 things you should know about prehistoric life Canning for a new generation : bold, fresh, flavors for the modern pantry
Japanese for busy people Audio Archive – 89,325 New Items in May

The audio archive contains recordings ranging from alternative news programming, to Grateful Dead concerts, to Old Time Radio shows, to book and poetry readings, to original music uploaded by our users. Explore.

Goose Live at Westville, Music Bowl on 2022-05-28
Joey Porter Live at Howlin’ Wolf on 2022-05-06
LibriVox Audiobooks – 92 New Items in May

Founded in 2005, Librivox is a community of volunteers from all over the world who record audiobooks of public domain texts in many different languages. Explore.


Short Ghost and Horror Collection 060
The Shaggy Man of Oz (version 2) Silver Blaze 78 RPMs and Cylinder Recordings – 112 New Items in May

Listen to this collection of 78rpm records, cylinder recordings, and other recordings from the early 20th century. Explore.

Paillasse: Me grimer Scampini Augusto – Verdi (Gram. Concert) GC 2 52615-6) 1907 Live Music Archive – 807 New Items in May

The Live Music Archive is a community committed to providing the highest quality live concerts in a lossless, downloadable format, along with the convenience of on-demand streaming (all with artist permission). Explore.

Circles Around The Sun Live at Wonder Bar on 2022-05-18 Kitchen Dwellers Live at Thunderbird Café & Music Hall on 2022-05-17 Something is Forming: A Tribute to Max Creek Live at Strange Creek Campout – Camp KeeWanee on 2022-05-29

Netlabels223 New Items in May

This collection hosts complete, freely downloadable/streamable, often Creative Commons-licensed catalogs of ‘virtual record labels’. These ‘netlabels’ are non-profit, community-built entities dedicated to providing high quality, non-commercial, freely distributable MP3/OGG-format music for online download in a multitude of genres. Explore.

Movies – 110 New Items in May

Watch feature films, classic shorts, documentaries, propaganda, movie trailers, and more! Explore.

The post New additions to the Internet Archive for May 2022 appeared first on Internet Archive Blogs.

Special Event: Universal Access to All Knowledge @ The New York Society Library

26 mei 2022 - 6:47pm

Saturday, June 4, 2:00 PM ET
The New York Society Library, 53 East 79th Street, Manhattan
or by livestream


Register now for the in-person session or the livestream.

Join Brewster Kahle of the Internet Archive for a special two-part presentation and
discussion on using this massive resource and on the societal and policy
issues affecting access to knowledge.

This is a great time to be an archivist and librarian—digital memory is ever more important and more difficult to manage.

Advances in computing and communications mean that we can cost-effectively store every book, sound recording, movie, software package, and public webpage ever created and provide access to these collections via the Internet to students and adults all over the world. By using mostly existing institutions and funding sources, we can build this, as well as compensate authors, within the current worldwide library budget. Technological advances, for the first time since the loss of the Library of Alexandria, may allow us to collect all published knowledge in a similar way. But now we can take the original goal another step further to make all the published works of humankind accessible to everyone, no matter where they are in the world.
 
Will we allow ourselves to re-invent our concept of libraries and archives to expand and to use the new technologies?  This is fundamentally a societal and policy issue. These issues are reflected in our governments’ spending priorities, and in law.

This event takes place in two interrelated hours:
2:00-3:00 PM – The Internet Archive: What It Is and How to Use It
3:00-4:00 PM – Universal Access to All Knowledge: Technologies, Societies, Legalities

Register now for the in-person session or the livestream.

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Music Library Association Opens Publications at Internet Archive

25 mei 2022 - 2:00pm

For librarians who specialize in caring for music collections, it can be challenging to keep up with the latest technology and resources in the profession. The Music Library Association recently helped address this problem by making many of its publications openly available online.

The MLA donated 21 of its monographs to the Internet Archive for digitization and worked with authors to make the material free to the public under Creative Commons licenses. 

The new collection of backlist titles includes information on careers in music librarianship and history of the field. It also covers planning and building music library collections, which can be complicated and involve individual creators and small publishers, said Kathleen DeLaurenti, who helped lead the partnership with the Internet Archive in her role as MLA’s first open access editor. There are also valuable materials on music library approaches to technical services—everything from how to preserve music materials to how to bind and catalog them.

“Increasingly in librarianship, we have people who are being tasked to do this work who don’t have a specialized background, especially in smaller organizations, rural places, and public libraries,” DeLaurenti said. “We’re really excited to be able to make this content available to folks who may not have access to professional development in those spaces, and who may be looking for some materials to bolster their training and their own work.”

The MLA has been publishing new research of interest to music librarians since the 1970s and wanted to find a platform to make the information easier to discover, said DeLaurenti, director of the Arthur Friedheim Library at the Peabody Institute of Johns Hopkins University in Baltimore. The Internet Archive provided the open infrastructure to share and leverage the work of the MLA, which is a small organization with about 1,000 members.

While the MLA began with 21 of the monographs, it is working to obtain rights clearance for an additional 20 titles and DeLaurenti hopes the online collection will grow. So far, authors have been excited that the association is making their work available as it increases access for scholars with the potential for more citations of their research.

The audience for the online collection will likely be “accidental music librarians”—people tasked with music library responsibilities who aren’t musicians but are looking for professional development resources in the area, DeLaurenti said, as well as individuals considering music librarianship as a career.

“As libraries are looking at what kinds of open infrastructure is out there and available, I think the work that the Internet Archive has done through COVID has really changed our perception and how they can work as a potential collaborator in that space,” DeLaurenti said. “We hope to continue different kinds of collaborations with [the Archive] in the future.”

LEARN MORE

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Knowledge Rights 21 Calls for Action on Library Rights

23 mei 2022 - 7:02pm

Last week, Knowledge Rights 21 released a strong call to action to ensure that libraries can continue serving their centuries old role in society of providing access to knowledge to the public. Knowledge Rights 21 is an Arcadia funded project advocating for copyright and open access reform across Europe.

In their Position Statement on eBooks and eLending, Knowledge Rights 21 explains that government action is urgently needed because the market for eBooks now operates outside of the current copyright law that permits libraries to acquire, lend and preserve physical books. Monopolistic behavior by commercial publishers including refusals to sell, embargoes, high prices, and restrictive licensing terms have frustrated libraries’ ability to undertake collection development, hurting those who rely on libraries for education, research, and cultural participation.

The Position Statement demands that “governments must wake up and act now before the rights of citizens to access information and learning through libraries are eroded any further.” The Statement proposes the following clarifications in EU law:

1.The right for libraries to acquire, preserve and make a digital reproduction of
an analogue and / or an electronic book / audiobook that has been made
available in the market under sale or licence;
2. No more copies than have been acquired under 1 above, shall be loaned to
members of the public at any one time. Libraries should have the right to lend
directly to users, as well as via other libraries as part of interlibrary loan;
3. Neither contracts nor technical protection measures shall be enforceable to
prevent this;
4. Any loans made under this shall require the payment of [Public Lending Right] monies by public libraries in line with existing practice with paper and or audiobooks.

The Internet Archive agrees that action on this issue is important and necessary. We are defending these principles in US court, in the lawsuit brought by four of the world’s largest publishers over our controlled digital lending program. We look forward to working with Knowledge Rights 21 and the library community “to help libraries not only to survive, but also to flourish” as the EU Court of Justice said in its landmark case supporting eBook lending by libraries.

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Recent Report from IFLA: How well did copyright laws serve libraries during COVID-19?

18 mei 2022 - 10:09pm

The short answer to this question from a report recently published by IFLA appears to be: not very well at all. The report documents a worldwide survey of 114 libraries, 83% of which said they had copyright-related challenges providing materials during pandemic-related facility closures. The report also provides direct quotes from a series of interviews of library professionals, discussing the challenges they faced and often how difficult digital access to necessary materials such as textbooks has been throughout the last two years. As one librarian from the United States explains:

Times were tough. We were scrambling and worried about so many things – including the health and safety of our students, faculty and colleagues – and trying to spin up as much as possible in the way of service. There are certainly some vendors that we personally like the interactions with, but it felt to me like the publishers saw this as an opportunity just to make more money and not really an opportunity to build stronger connections with us and our library. They offered free things for a very limited period of time.

The report is well worth reading in its 22-page entirety. You can find it here.

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Preserving Pro-Democracy Books From Shuttered Hong Kong Bookstore

18 mei 2022 - 2:00pm

Albert Wan ran Bleak House Books, an independent bookstore in Hong Kong, for nearly five years, before closing it in late 2021. The changing political climate and crackdown on dissent within Hong Kong made life too uncertain for Wan, his wife and two children. 

As they were preparing to move, Wan packed a box of books at risk of being purged by the government. He brought them on a plane back to the United States in January and donated them to the Internet Archive for preservation. 

The collection includes books about the pro-democracy protests of 2019—some photography books; another was a limited edition book of essays by young journalists who covered the event. There was a book about the Tiananmen Square massacre and volumes about Hong Kong politics, culture and history—most written in Chinese. 

“In Hong Kong, because the government is restricting and policing speech in a way that is even causing libraries to remove books from shelves, I thought that it would be good to digitize books about Hong Kong that might be in danger of disappearing entirely,” Wan said.

“I thought that it would be good to digitize books about Hong Kong that might be in danger of disappearing entirely.”

Albert Wan, owner of the now-closed Bleak House Books

Hearing that Bleak House Books would be shutting its doors, the Internet Archive reached out and offered to digitize its remaining books. As it happens, Wan said his inventory was dwindling quickly. So, he gathered contributions from others, and along with some from his own collection, donated about thirty books and some periodicals to the Internet Archive for preservation and digitization. Wan said he was amazed at how flexible and open the Archive was in the process, assisting with shipping and scanning the materials at no cost to him. (See Hong Kong Community Collection.)

Now, Wan wants others to do the same.

“There are still titles out there that have never been digitized and might be on the radar for being purged or sort of hidden from public view,” Wan said. “The hope is that more people would contribute and donate those kinds of books to the Archive and have them digitized so that people still have access to them.”

Do you have books you’d like to donate to the Internet Archive? Learn more.

Wan said he likes how the Internet Archive operates using controlled digital lending (CDL) where the items can be borrowed one at time, not infringing on the rights of the authors, while providing broad public access.

Before his family moved to Hong Kong for his wife’s university teaching job, Wan was a civil rights and criminal defense attorney in private practice. Now, they are all getting settled in Rochester, New York, where Wan plans to open another bookshop.

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Memorial Day BBQ, Live Music and Lost Landscapes at the Internet Archive – Monday May 30, 2022

18 mei 2022 - 2:50am
Calling all SF Cineastes and Archivists!

LOST LANDSCAPES is BACK!! With BBQ and live music too!

Come join the fun this Memorial Day and hang out with us at the Internet Archive.

$1 hotdogs, live music by the Traveling Wilburys Revue then onto a screening of Prelinger Archives’ “Lost Landscapes: Earth, Fire, Air, Water: California Infrastructures“.

Date: Monday, May 30, 2022
When:
5:30 PM BBQ – 6:30 PM Live Music – 8:15 PM Film Screening
Where:
300 Funston Ave., San Francisco, CA
Cost:
$15.00

GET YOUR TICKETS HERE

The post Memorial Day BBQ, Live Music and Lost Landscapes at the Internet Archive – Monday May 30, 2022 appeared first on Internet Archive Blogs.

Goodbye Facebook. Hello Decentralized Social Media?

13 mei 2022 - 9:40pm

The pending sale of Twitter to Elon Musk has generated a buzz about the future of social media and just who should control our data.

Wendy Hanamura, director of partnerships at the Internet Archive, moderated an online discussion April 28 “Goodbye Facebook, Hello Decentralized Social Media?” about the opportunities and dangers ahead. The webinar is part of a series of six workshops, “Imagining a Better Online World: Exploring the Decentralized Web.” 

Watch the session recording:

The session featured founders of some of the top decentralized social media networks including Jay Graber, chief executive officer of R&D project Bluesky, Matthew Hodgson, technical co-founder of Matrix, and Andre Staltz, creator of Manyverse. Unlike Twitter, Facebook or Slack, Matrix and Manyverse have no central controlling entity. Instead the peer-to-peer networks shift power to the users and protect privacy. 

If Twitter is indeed bought and people are disappointed with the changes, the speakers expressed hope that the public will consider other social networks. “A crisis of this type means that people start installing Manyverse and other alternatives,” Staltz said. “The opportunity side is clear.” Still in the transition period if other platforms are not ready, there is some risk that users will feel stuck and not switch, he added.

Hodgson said there are reasons to be both optimistic and pessimistic about Musk purchasing Twitter. The hope is that he will use his powers for good, making it available to everybody and empowering people to block the content they don’t want to see. The risk is with no moderation, Hodgson said, people will be obnoxious to one another without sufficient controls to filter, and the system will melt down. “It’s certainly got potential to be an experiment. I’m cautiously optimistic on it,” he said.

People who work in decentralized tech recognize the risk that comes when one person can control a network and act for good or bad, Graber said. “This turn of events demonstrates that social networks that are centralized can change very quickly,” she said. “Those changes can potentially disrupt or drastically alter people’s identity, relationships, and the content that they put on there over the years. This highlights the necessity for transition to a protocol-based ecosystem.” 

When a platform is user-controlled, it is resilient to disruptive change, Graber said. Decentralization enables immutability so change is hard and is a slow process that requires a lot of people to agree, added Staltz.

The three leaders spoke about how decentralized networks provide a sustainable alternative and are gaining traction. Unlike major players that own user data and monetize personal information, decentralized networks are controlled by users and information lives in many different places.

“Society as a whole is facing a lot of crises,” Graber said. “We have the ability to, as a collective intelligence, to investigate a lot of directions at once. But we don’t actually have the free ability to fully do this in our current social architecture…if you decentralize, you get the ability to innovate and explore many more directions at once. And all the parts get more freedom and autonomy.”

Decentralized social media is structured to change the balance of power, added Hanamura: “In this moment, we want you to know that you have the power. You can take back the power, but you have to understand it and understand your responsibility.”

The webinar was co-sponsored by DWeb and Library Futures, and presented by the Metropolitan New York Library Council (METRO).

The next event in the series, Decentralized Apps, the Metaverse and the “Next Big Thing,” will be held Thursday, May 26 at 4-5 p.m.EST, Register here

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Fireside Chat: Congressman Ro Khanna in conversation with Larry Lessig

10 mei 2022 - 9:02pm

Join us on Tuesday, May 31st at 6pm PT / 9pm ET for a fireside chat with Congressman Ro Khanna in conversation with Harvard Professor and author Lawrence Lessig to discuss Rep. Khanna’s book, Dignity in a Digital Age: Making Tech Work for All of Us.

In the Bay Area? You can join us at our San Francisco headquarters in person! Otherwise, tune in via Zoom. REGISTER NOW! Please note that our in-person seating is limited, so act fast to secure your spot.

You can reserve a copy of the book from our local bookseller, The Booksmith, by choosing the Add-On in the tickets section if you want to pick up your copy in person. Or if you want to order online and have the book shipped to your home, order here.

ABOUT THE BOOK:

In the digital age, unequal access to technology and the revenue it creates is one of the most pressing issues facing the United States. There is an economic gulf between those who have struck gold in the tech industry and those left behind by the digital revolution; a geographic divide between those in the coastal tech industry and those in the heartland whose jobs have been automated; and existing inequalities in technological access—students without computers, rural workers with spotty WiFi, and plenty of workers without the luxury to work from home.

Dignity in a Digital Age tackles these challenges head-on and imagines how the digital economy can create opportunities for people all across the country without uprooting them. Congressman Ro Khanna of Silicon Valley offers a vision for democratizing digital innovation to build economically vibrant and inclusive communities. Instead of being subject to tech’s reshaping of our economy, Representative Khanna argues that we must channel those powerful forces toward creating a more healthy, equal, and democratic society.

ABOUT RO KHANNA:
Ro Khanna represents Silicon Valley in Congress. He has taught economics at Stanford, served as Deputy Assistant Secretary of Commerce in the Obama Administration, and represented tech companies and startups in private practice. He is the author of Dignity in a Digital Age: Making Tech Work for All of Us. He enjoys spending time with his wife and two children in Washington, DC, and Fremont, California.

ABOUT LAWRENCE LESSIG:
Lawrence Lessig is the Roy L. Furman Professor of Law and Leadership at Harvard Law School. Prior to rejoining the Harvard faculty, where he was the Berkman Professor of Law until 2000, Lessig was a professor at Stanford Law School, where he founded the school’s Center for Internet and Society, and at the University of Chicago. Lessig clerked for Judge Richard Posner on the 7th Circuit Court of Appeals and Justice Antonin Scalia on the United States Supreme Court. He holds a BA in economics and a BS in management from the University of Pennsylvania, an MA in philosophy from Cambridge, and a JD from Yale.

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