@article {ref_9997, title = {The Archive in Motion: An Introduction}, year = {2015}, pages = {11}, publisher = {Academia.eu}, abstract = {

The Archive in Motion explores the current proliferation of the concept of the archive. The concept has expanded into areas beyond the classical archive, to art, philosophy, and new textual and media practices. Simultaneously, these new practices both resist and transform the archival impulse, perhaps creating what one could call a new "anarchival" condition.

Archival concepts and practices have been transformed under the impact of the radical changes in writing and recording technologies that have taken place over the last 150 years, and particularly with the introduction of digital technologies. Film, video, television, sound recording, computers, the Internet and new mobile media seem to have instigated a general storage mania and a proliferation of both public and private archival practices. These technologies not only challenge traditional notions of the permanence and stability of the archival document, but they also introduce a wide range of new questions concerning exactly what it means to store information for future use.

}, url = {http://www.academia.edu/441826/The_Archive_in_Motion_An_Introduction}, author = {Eivind R{\o}ssaak} } @article {ref_10054, title = {Memory and Media Archival Tasks in the Age of Algorithms}, year = {2016}, note = {

Onderdeel van Schetsboek Digitale Onderzoek- omgeving en Dienstverlening

}, month = {06/2016}, pages = {6}, publisher = {Stichting Archiefpublicaties }, edition = {Schetsboek Digitale Onderzoek- omgeving en Dienstverlening}, chapter = {blz 35-40}, address = {{\textquoteright}s Gravenhage}, abstract = {

Indeed, archives are in a crisis. Rather than lamenting it, we should explore the emancipatory potential of this crisis and assess how it is anchored in technological changes. Institutions like archives, libraries, museums and galleries (the GLAM-sector) were not built for new media. Yet, as concepts they are on everybody{\textquoteright}s lips. Whenever we talk about how new media can store and display information, these concepts reappear as metaphors. Can the institutions themselves live up to their conceptual and metaphorical mobilizations? Can modern media ultimately make the sector bolder in terms of innovation, research, articulation and curation as well as consolidate a new type of public service model strengthening artistic creativity and sharing?
To do this, we need to change some of our habits of thinking.

}, keywords = {algoritme, authenticiteit, betrouwbaarheid, big data, context, semantische informatie}, url = {http://www.archiefateliers.nl/wp-content/uploads/2016/06/Schetsboek-DOD_2016_PRINT.pdf}, author = {Eivind R{\o}ssaak} }